The History of Jamaican Music in the 20th Century and its Influence on Essay

The History of Jamaican Music in the 20th Century and its Influence on 20th Century Music in the West - judge ExampleThe come onnce of sound system dances allowed for the spread of Jamaican music throughout the Western world. Jamaican music evolved through commercialization, starting from a point of trying to appeal through human stirred issues, just eventually taking on the role as a central part of the semi governmental ontogeny of Jamaica during the latter 20th Century. As Bob Marley took on an international presence, he and others who followed brought reggae to the United States where it influenced the evolution of politically volatile rap music. The influences of Jamaican music on the Western world evolved from an island that was undergoing social and political change. Jamaican Music Development History of the Jamaican Sound The history of Jamaica is mixed between the African heritage and the colonialism of Europe. The main language of Jamaica of the island is English, but the traditional history of the region is that evolved from small villages on the island from the grow of an African heritage which was untouched by European influence. From the evidence of the primarily European influences on mundane life, it can be concluded that Jamaica is primarily a European influenced culture but has retained the skag of Africa in its arts. According to Chang and Chen, the performance style of authentic folk music in Jamaica is African, no national what the origins of the music.1 The proof of this is seen in Rastafarian renditions of European Bible hymns in which complicated percussive expressions and the founding of syncopations not in the original music are decidedly African influenced. Additionally, the use of relaxed vocal flavor which obtains the sound from the face rather than from the head expresses an African style as opposed to a European influence.2 One of the more prevalent techniques that can be seen in Jamaica that is directly influenced fro m Africa is the call and answer company vocal technique. Most music in both the African and Jamaican format is conceived vocally. This is so serious that there exists a sing-talk format that can be considered the precursor to rap. The call and answer form, which is fairly self-explanatory, is a core of African and Jamaican musical performance. Rural Jamaican music is rife with this format and it has been translated as an influential factor into ska, rocksteady, and reggae.3 The belief is that most of the African influences are from the percentage point of cadence of colonial slavery, but this may not be the case. The theory that African influence is based solely on this time of slavery can be refuted when taken into consideration with the addition of indentured servants who came outside of slavery during the period between 1841 and 1865. The Rastafarians are defined by Ethiopian origins, by the Bongo Nation are influenced from melodic line in the Congo-Angola region of West Afr ica. What is now known by Rastafarians as Nyabinghi can be shown to be a direct result of the combination of theses traditions.4 According to Chang and Chen Jamaican popular music has forever mixed the rhythm of Africa and the melody of Europe5 During the early 20th century Jamaica was beginning to wee a post-colonialism world with a distinct national identity. In the 1930s music that was specific to Jamaica began to emerge as a defining element of the culture. As development workers began to work towards improving conditions of villages and towns, organizing a net income in order to gain control over distribution of resources and to